Cartouche & No Fear of Pop present: Ej Bekot.

When Ej Bekot go on stage it is possible that they stay there for four hours. Interwoven in sounds, lost and found in repetitive phrases and rhythms, carefully deconstructing and reconstructing their songs. It is also possibly that the audience will perceive this as a mere half hour of bliss, a massage for the mind, meditation-like, drifting into sound. An Ej Bekot concert is like an virtual visit to a 1970s youth center where joints are passed around and the flokatis aren’t that white anymore. Because Ej Bekot is a kraut-rock-trio. By every trick in the book. The allocation of instruments is floating, a constant experiment between cacophony and euphony, executed under disintegration of all structures. Ej Bekot are highs and lows, softs and hards, lethargic and hypnotic. Waves of energy are swashing  back and fourth between the musicians are are eventually flooding the audience. One of the city’s most exciting experimental bands right now!